Português
Pedro Escosteguy – poesia, vanguarda e opinião | Fundação Iberê
Quanto mais desejo, mais invento o que vejo
Jardim das esculturas | Museu do Amanhã
15ª Mostra 3M de Arte
Waters of High Seas
Opening
16th International Biennial of Contemporary Art of Curitiba
Global Positioning System | Hayy Jameel
A Prova do Artista: Coleção de Gravuras do Museu do Trabalho | MAC-RS
José Resende: Corpo escultórico
Abolicionistas Brasileiras | CCSP
Esculturas | Instituto Figueiredo Ferraz
Tarde do Fauno | CASA BRASIL
Jardim de Esculturas | Pinacoteca de São Paulo
Folded World | Duke Kunshan University, Suzhou, China
Pop Brasil: vanguarda e nova figuração, 1960-70
Ayla Tavares & Celeida Tostes — Anthologies of a Receptacle
Transgresoras Mail Art and Messages, 1960s–2020s | California Museum of Photography
Corpos explícitos, corpos ocultos | Pinacoteca do Ceará
Gê Viana — 36ª Bienal de São Paulo
Da humanidade como prática
Andréa Hygino — Prêmio PIPA 2025
Histórias da ecologia
Mapas Mentais | MAC USP
Vida, doce mistério — Pina Luz
Pop Brasil: vanguarda e nova figuração, 1960-70
Ana Amorim — Contar Rutinas
Andréa Hygino — Klassenzimmer [Sala de Classe]
Romanita Disconzi — Sem Metáfora
Andréa Hygino — Art Review
Gê Viana — Acervo Pinacoteca de São Paulo
Neide Sá — Sol Fulgurante: arquivos de vida e resistência
Andréa Hygino — Gravadas no corpo
Celeida Tostes — Vênus Ancestral
Andréa Hygino — Esqueleto: Algo de concreto
Andréa Hygino — Expo Diversos
Gê Viana — Travelling Back
Gê Viana — FUNK: Um grito de ousadia e liberdade
Celeida Tostes — Ana Mendieta: Silhueta em Fogo e terra abrecaminhos
Gê Viana — Prêmio FOCO
Andréa Hygino — REFUNDAÇÃO
Hermelindo Fiaminghi — Nova Representação
Luiz Alphonsus — New Representation
Ana Amorim — New Representation
Gê Viana — Bienal das Amazônias
Gê Viana — Dos Brasis: Arte e pensamento negro
Marina Camargo — A Certa Sombra
Renata De Bonis — Touch
Gê Viana — Bienal das Amazônias
Vera Chaves Barcellos — O estranho desaparecimento de Vera Chaves Barcellos
Anna Costa e Silva — Tamagothi_balé
Vera Chaves Barcellos — Chão da praça: obras do acervo da Pinacoteca
Lotus Lobo — Fabricação Própria
Anna Costa e Silva — ARTE PELA VIDA DAS MULHERES
Anna Costa e Silva — Encruzilhada Blockchain
Gê Viana — Atos de revolta: outros imaginários sobre independência
Anna Costa e Silva — 13ª Bienal do Mercosul
Gê Viana — Necrobrasiliana
Renata De Bonis — The time and Place that We Part
Neide Sá — Horizontes Moventes
Gê Viana — Histórias Brasileiras
Gê Viana — Masanganu
Celeida Tostes — 37º Panorama da Arte Brasileira: Sob as cinzas, brasa
Marina Camargo — 37º Panorama da Arte Brasileira: Sob as cinzas, brasa
Renata De Bonis — Eating vegan sandwiches in the train while listening to country music
Yasmin Guimarães — O céu, um cinema
Gê Viana — Necrobrasiliana
Andréa Hygino — 19º Salão Nacional de Arte de Jataí
Aquisição institucional — Pinacoteca de São Paulo
Artur Chaves — The Silence of Tired Tongues
Gê Viana — Vários 22
Andréa Hygino — CADEIRAÇO (Barricade)
Renata De Bonis — Identidades 22 & 22 & 22
Wlademir Dias-Pino — Raio-que-o-parta: ficções do moderno no Brasil
Andréa Hygino — Saravá
Andréa Hygino — Suburbanidades: O lugar da periferia na arte contemporânea
Gê Viana — Brasilidade Pós Modernidade
Andréa Hygino — I Love South America South America Loves Me
Neide Sá — Biblioteca Floresta
Anna Costa e Silva — Só é possível se formos 2
On Saturday, the exhibition “Só é possível se formos 2” [It is only possible if there are 2 of us] was inaugurated in Sala Fernando Pessoa of the Consulate General of Portugal in São Paulo. The exhibition proposes a dialogue between the Brazilian Anna Costa e Silva and the Portuguese Fernanda Fragateiro, two artists from different generations, practices and trajectories, who converge in their desires to think beyond the limits of the individual.
At a time when defending collectivity and deceleration of time is quite the exception, this experience tests the possibilities of not only being and building together, but of learning and un-learning as a duo, with all of its challenges. The works contemplated for this project were conceived in a correlation between the architecture, the gardens and the circumstances of the Consulate-General of Portugal in São Paulo; a space that symbolizes the complexity in relations between the two countries over five centuries. They are works that give rise to a paused experience of this place, ideally as a duo.
Anna Costa e Silva creates with her works a place for co-existence that is essentially immaterial and invites spectators to participate, who bring not only their personal baggage, but also our collective and shared history with them. In her practice, the artist from Rio de Janeiro fosters encounters between people of diverse ages, contexts and realities. Such encounters end up triggering feelings and sensations of intimacy and strangeness, while stretching and overflowing the boundaries between reality and fiction, the “I” and the other, experience and memory. In the Sala Fernando Pessoa, Anna designs a celestial installation, in two parts, that pays homage to the artist Flora Diegues, a friend and collaborator in many of her projects, who passed away prematurely in 2019. The first part consists of a video installation that projects images of the day’s “magical hours”: sunrises and sunsets captured from the window of a plane that flies over the Atlantic Ocean — the same sea that separates and connects Brazil and Portugal. The images are projected on opposite sides of a translucent screen, overlapping two time-spaces, or trying to fold time. The second part of the installation is set up as two moments of listening in separate ends of the room. At one end, an audio plays a reading of an e-mail sent from Flora to Anna in 2016. The response to the e-mail, written throughout this past year and unsent, can be heard at the other end of the room.
Her other piece is a drift experience, in which performers lead visitors through intimate and suspicious encounters that go beyond the exhibition space and into the city streets. The game begins with a series of notes, like messages in a bottle, left in unusual places in the exhibition space, with indications for an encounter with a (possible) stranger. The work takes place in this drift encounter. The city’s streets become scenarios for autobiographical narratives, which blurs the hierarchy between performer and spectator and create a field of connection and estrangement.
Lotus Lobo — Fabricação Própria
Curated by Marcelo Drummond, the “Fabricação Própria” exhibition brings to Sesc Pompeia warehouse the comprehensive and diverse artistic production undertaken by Lotus Lobo. With historic and unpublished works, produced in different media, materials and new forms of editing and printing, the exhibition covers the 60 years of the artist’s production, which encompasses her collection, as well as ways of thinking about the politics of images in the contemporary world.
The curatorial cut of “Fabricação Própria” highlights Lotus’ experience in relation to its collection and aims to give visibility and access to the artist’s production, demonstrating her relationship with art and her performance history from the 1960s to her current productions.
Born in Belo Horizonte, Lotus came into contact, in 1969, with the production of tinplate packaging at Estamparia Juiz de Fora (MG), where she collected dies from the first decades of the 20th century, and, from then on, by Through the appropriation and manipulation of images, he produced works that reveal the creative character of the factory environments, inviting the public to also experiment with new reading possibilities.
The gathering and displacement of these objects are ways of giving visibility to their composition, evidencing authorship, regional specificities and temporalities. It is precisely from a proposal to interrupt and invert the usual life cycle of such items that Lotus Lobo’s artistic and research work is constituted. The exhibition brings together, for the first time, almost the entirety of the set of Maculaturas, printing plates from Estamparia Juiz de Fora (MG), by Lotus appropriated as works from 1970 onwards, this time mounted in the form of a large suspended plane in the exhibition space. Important works by the artist are revisited, such as the case of Água Limpa, an unprecedented work that takes up the litho-objects awarded in 1969 at the X Bienal de São Paulo. Another important remission is the also unpublished Albor, in which he recalls a remarkable work from the year 1970: a reel of paper attached to the wall from which spectators could highlight and take home lithographed fragments.
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“Fabricação Própria” is on view at Sesc Pompeia until January 30th, 2022 and can be visited by appointment through the website sescsp.org.br/pompeia or at the Credencial Sesc SP app.
E.M. de Melo e Castro — Poesia Experimental Portuguesa
Duplicado / Annulado (1966) and Amor Lume (1967), by E.M. de Melo e Castro, are part of the group exhibition Poesia Experimental Portuguesa, curated by Bruna Callegari and Omar Khouri. The show opened on September 18hth at Centro Cultural São Paulo.
Débora Bolsoni — Janelas Para Dentro
Topos (2013), by Débora Bolsoni, participates in the collective Janelas para Dentro, organized by Central and Leme galleries. Curated by Guilherme Wisnik, the exhibition occupies a residential house designed by Paulo Mendes da Rocha in the 1970s. Previous appointment is required for visitation.
Gê Viana — FRESTAS Trienal de Artes 2020/21 - O rio é uma serpente
Yasmin Guimarães – Esperança
Yesterday (27) opened the Esperança exhibition at the Museu de Arte Sacra de São Paulo, which features works by Yasmin Guimarães. Curated by Simon Watson, the collective exhibition gathers works by 12 contemporary artists, and can be visited until August 22nd.
Anna Costa e Silva – Metamorfose: Sublimação e Transmutação
Poema/Processo – Redes, Colaboração e Resistência em/entre Portugal e Brasil, 1962–1982
Institutional acquisition — Museu Nacional Centro de Arte Reina Sofía
Galeria Superfície is pleased to announce the acquisition of works by our artists who are now part of the permanent collection of the Museu Nacional Centro de Arte Reina Sofía.
Narrowing the partnership between Superfície and the institution, historical works such as “Identidade do Artista” by Angelo de Aquino, poem-objects by Neide Sá, Álvaro de Sá, Márcio Sampaio and Moacy Cirne, banner by Pietrina Checcacci, as well as works by the Grupo Poema/Processo, Sonia Andrade and Vera Chaves Barcellos, make up the long-term exhibition that opened on June 16th, 2021. In addition to acquisitions, donations of works from Gustavo Nóbrega’s personal archive are also included.
The exhibition focuses on Latin American artistic production between 1964 and 1987 and its relationship with Spain. The political transformations of the time and the emergence of new artistic practices, such as Mail Art, favored a series of significant exchanges for the future of contemporary art.
Pollyana Quintella interviews Vera Chave Barcellos
Anna Costa e Silva e Débora Bolsoni – Parede Gentil 37
Transe 02
Guga Szabzon – An(Other) Storyteller
Amilcar de Castro: Na Dobra do Mundo
Débora Bolsoni, Guga Szabzon, Rodrigo Garcia Dutra e Yasmin Guimarães — Pivô’s 9th Annual Auction
Martinho Patrício — Trace, Thread, Text
Anna Costa e Silva — Assíntotas
Marcelo Brodsky — Exhibition"A Call to Vote"
Neide Sá — Exhibition "Pinacoteca: Acervo"
Poema/Processo — Exhibition “Networks, Collaboration and Resistance in/between Portugal and Brazil, 1962–1982"
Anna Costa e Silva — Residency "In the Wilderness"
Neide Sá e Pietrina Checcacci — Exhibition "Farsa"
Marcelo Brodsky — Exhibition "Pictures, Revised"
No Calor da Hora
not cancelled Brazil
Gallery Temporarily Closed
Betty Leirner – Exhibition "Flower Blast – Female Artists from the Ludwig Collection"
Sonia Andrade – Exhibition "Against, Again: Art Under Attack in Brazil"
Débora Bolsoni – Exhibition "Together We Stand"
Betty Leirner – Artist Books from the MAM-SP Library
Rodrigo Garcia Dutra — Exhibition "Triangular: Arte Deste Século"
Anna Costa e Silva — Púrpura
Anna Costa e Silva, Débora Bolsoni e Guga Szabzon – Oitava Edição do Leilão Anual do Pivô
Poema/Processo com Gustavo Nóbrega
Rodrigo Garcia Dutra – Exhibition "Doações 2019"
Art Weekend 2019
Álvaro de Sá, Clóvis Dariano, Frederico Marcos, Neide Sá e Sonia Andrade – Exhibition "Alto Nível Baixo – Cinema de Invenção, Brasil (1968-1978)"
Neide Sá – Exhibition "Feche os Olhos e Veja"
Yasmin Guimarães – Exhibition "Entre a Terra e o Mar"
Betty Leirner – Exhibition "Mutatio"
Anna Costa e Silva – Exhibition "Dominó"
Poema/Processo – 14ª Bienal de Curitiba
Débora Bolsoni e Rodrigo Garcia Dutra – 14º Leilão Anima
Débora Bolsoni – Exhibition "Bifê"
Anna Costa e Silva – Exhibition "Ontem, Hoje, Agora"
BETTY LEIRNER AT POIESIS: SPRACHKUNST / LANGUAGE ART
Kunsttempel, Gallery for Cognition and Language situated in Kassel, Germany, presents POESIS – Sprachkunst | Language Art. The exhibition is curated by Friedrich W. Block and will give a snapshot of international language art from a post-digital perspective, with artists that for the past two decades, have exhibited in the Gallery such as Augusto de Campos, Betty Leirner, Franz Mon, Gerhard Rühm, Michèle Métail and Timm Ulrichs. A catalogue published by Jenior Editors will accompany the exhibition, which will open on August 29th 2019.
Neide Sá – Exhibition "Manjar: Para Habitar Liberdades"
Marcelo Brodsky – Launch of the book "El Alma de Un Gigante"
Rodrigo Garcia Dutra – Exhibition "A Linguagem da Serpente"
Anna Costa e Silva, Rodrigo Garcia Dutra e Yasmin Guimarães – Exhibition "Abraço Coletivo"
Sonia Andrade – Exhibition "... Às Contas"
Anna Costa e Silva – Exhibition "Fogo Sobre Lago"
Rodrigo Garcia Dutra – Exposição “Divergência Estética”
Anna Costa e Silva – Exhibition "Lar Doce Lar"
Marcelo Brodsky – Exhibition "Dos Museos y Un Río"
Débora Bolsoni – Exhibition "Migalhas"
Falves Silva, Neide Sá, Wlademir Dias-Pino e Grupo Poema/Processo – Exhibition "História da Poesia Visual Brasileira"
Falves Silva – Exhibition "À Nordeste"
Rodrigo Garcia Dutra – Exhibition "Ways of Seeing: Government Art Collection in Waltham Forest Borough of Culture"
Neide Sá – Exhibition "Arte-veículo"
Anna Costa e Silva – Open Studio Pivô
Anna Costa e Silva – Marcantonio Vilaça Prize for the Visual Arts
Anna Costa e Silva – Exhibition "A vida não é só a praticidade das coisas"
Guga Szabzon – Exhibition "Tudo o que criamos passa a existir"
Anna Costa e Silva – Roda de conversa Programa de Exposições do CCSP 2018
Leonilson – Exhibition "Leonilson: Arquivo e Memória Vivos"
Débora Bolsoni – "Lição de Mimese"
Anna Costa e Silva – Exhibition "The Verve"
Rosana Paulino – Exhibition "Passado/Futuro/Presente"
Anna Costa e Silva – Exhibition "Formação e Deformação"
Rosana Paulino – Exhibition "A Costura da Memória"
Débora Bolsoni and Yasmin Guimarães – Seventh Edition of the Annual Pivô Auction
Guga Szabzon and Rodrigo Garcia Dutra – Auction Anima - Galeria Luisa Strina
Martinho Patrício – Exhibition "Tempos Sensíveis"
Guga Szabzon and Yasmin Guimarães – IAB Auction: 75 Artists para 75 Years of History
Neide Sá – Exhibition "Mulheres na Coleção MAR"
Marcelo Brodsky – Exhibition "1968, The Fire of Ideas"
E. M. de Melo e Castro – Exhibition "Poesia Experimental Portuguesa"
Launch of the book "Poema/Processo: uma vanguarda semiológica" at ArtRio 2018
Anna Costa e Silva, Guga Szabzon and Rodrigo Garcia Dutra – Exhibitions "Interstícios"
Marcelo Brodsky – Exhibition "1968, The Fire of Ideas"
Anna Costa e Silva – Projeto Mira ArtRio 2018
Marcelo Brodsky – Exhibition "1968 – The Fire of Ideas"
Rosana Paulino – Exhibition "MAM 70"
Álvaro de Sá and Neide Sá – Exhibition "Arte-veículo"
Marcelo Brodsky – Exhibition "Estratégias Conceituais"
Anna Costa e Silva – Exhibition "Sopro"
Yasmin Guimarães – Exhibition "Habita-me"
Neide Sá – Exhibition "Radical Women: Latin American Art, 1960-85"
Rodrigo Garcia Dutra – Screening "Dear Mickey Mouse"
Rodrigo Garcia Dutra – Exhibition "Antes que as traças nos devorem"
Marcelo Brodsky – Exhibition "1968, Quelle Histoire! Barricades, Expression, Répression"
Martinho Patrício and Rosana Paulino – Exhibition "Histórias Afro-Atlânticas"
Marcelo Brodsky – Exhibition "Resist! The 1960s protests, photography and visual legacy"
Anna Costa e Silva – Exhibition "Éter"
Débora Bolsoni – "I Mostra Programa de Exposições CCSP 2018"
Guga Szabzon – Hóspede
Marcelo Brodsky – Exhibition "Flashes of the Future"
Rodrigo Garcia Dutra – Exhibition "Geometría Primitiva"
Anna Costa e Silva – Edital CCSP
Rosana Paulino – ABCA Award
Neide Sá – Exhibition "Radical Women: Latin American Art, 1960-85"
Rosana Paulino – ABCA Prize
Guga Szabzon and Marcelo Brodsky – Exhibition "A Vastidão dos Mapas"
Betty Leirner – Reading
Marcelo Brodsky – Exhibition "El Futuro de la Memoria"
Anna Costa e Silva – Exhibition "Arte Laguna Prize"
Anna Costa e Silva – Arte Laguna Prize
Anna Costa e Silva – PIPA Award 2018
Marcelo Brodsky – Exhibition "1968: The Fire of Ideas"
Marcelo Brodsky – Exhibition "1968 - The Fire of Ideas"
Yasmin Guimarães – Exhibition "Scapeland - Território de Trânsito Livre"
Exhibition "Mira Schendel: Sinais/Signals"
Anna Costa e Silva – Exhibition "Caixa Preta"
Álvaro de Sá, Flávio Diniz, Frederico Marcos and Neide Sá – Exhibition "Monumental 2017, Arte Móvel"
Rodrigo Garcia Dutra and Yasmin Guimarães – Exhibition "Souls have no age"
Exhitibion "Agora somos todxs negrxs?" - Rosana Paulino
Betty Leirner - Semana de Arte
Exposição "Mais Do Que Araras"
PROJETO DESVIOS - MARTINHO PATRÍCIO
Exposição Éter - Anna Costa e Silva
Exposição Osso, Rosana Paulino
The artist Rosana Paulino participates in the collective OSSO - exhibition-appeal to the wide right of defense of Rafael Braga, which opens on Wednesday, the 28th, at the Tomie Ohtake Institute. The exhibition is curated by Paulo Miyada and stays until July 30 for public visitation. Free entrance.
Unanimous Night – Anna Costa e Silva
Anna Costa e Silva is making a new version of his perfomance Eter, which invites people to sleep with an artist and a conversation inside the world, in sleep and wake, at the exhibition Unanimous Night, at Center for Contemporary Art (CAC), Vilnius - Lithuania. The exhibition is curated by Bernardo José de Souza.
Poem/Process: vanguard and history
Centro Cultural São Paulo – Rosana Paulino
Itaú Cultural 30 Anos – Rosana Paulino
Three Rosana Paulino's artworks will be exhibited at the exhibition "Modos de Ver Brasil - Itaú Cultural 30 Anos". The commemorative exhibition is curated by Paulo Herkenhoff and will be at Oca do Ibirapuera, in São Paulo. The visitation period is from May 25 to August 13.
Ocupação Conceição Evaristo – Rita Damasceno
Rita Damasceno participates in the Itaú Cultural of the occupation of the writer Conceição Evaristo. A show is open for the visit until June 18. Visit: Thursday, May 4 to Sunday, June 18, 2017. Tuesday to Friday 9am to 8pm [stay until 8:30 PM]. Saturday, Sunday and holiday from 11am to 8pm. Ground floor [suitable for all audiences]. Free entrance
Diffusion: Cardiff International Festival of Photography – Marcelo Brodsky
Leonilson - Espaço Cultural Unifor
Falves Silva - Centro Cultural São Paulo
Marcelo Brodsky - Migrações
Marcelo Brodsky - Valongo Festival Internacional da Imagem
Rodrigo Garcia Dutra - Jornadas de Outubro: Inventando Geometrias na EAV Parque Lage
Víctor Florido - FAAP Art Residency
Wlademir Dias-Pino - 32nd Sao Paulo Biennial
Gustavo Speridião - MAM-Rio
Yasmin Guimarães - auroras: small paintings
Martinho Patrício - MACC
Marcelo Brodsky - Itaú Cultural
Gustavo Speridião - Kunsthal Kade
Mapas, Cartas, Guias e Portulanos | Sala de Arte Santander
Fábio Baroli - Centro Cultural do Banco do Nordeste
Marcelo Brodsky - Imagination to power
Marcelo Brodsky | Jorge Tacla - Tufts University Art Gallery
Gustavo Speridião - Imagine Brazil
Fabio Baroli - Centro cultural banco do brasil
Rodrigo Garcia Dutra – 10ª Bienal do Mercosul
Marcelo Brodsky - MICHAEL HOPPEN GALLERY - UK
Andre Feliciano - SESC Carmo
Marcelo Brodsky - Maison Rouge, Paris
Guga Szabzon - UM NÓ DEVE TER DUAS IMPORTANTES QUALIDADES: PODER SE DESATADO FACILMENTE E, AO MESMO TEMPO, NÃO SE DESFAZER SOZINHO
SP-ARTE 2015 | Stand SC 14
Imagine Brazil
Marcelo Brodsky - ação visual
Gustavo Speridião - mostra - Huna, Hunak: Here/There - Qatar
Andre Feliciano - 9ª Residência Artística RedBull Station
Fabio Baroli - mostra: Pintura e pictorialidade em Brasília 2000-2014
Leonilson - Truth, Fiction
The Pinacoteca do Estado de São Paulo presents from August 9th to November 9th 2014, the exhibition 'Leonilson: Truth, Fiction'. Curated by Adriano Pedrosa, the exhibition brings together more than 150 Works by Leonilson ( Fortaleza, 1957- Sao Paulo, 1993), among paintings, drawings, embroidery, objects and an installation. With works made from 1987, it also includes the last piece the artist conceived: the installation set on Morumbi Chappel, in 1993
Fabio Baroli - MAM Rio de Janeiro - Prêmio Aquisição Marcantônio Vilaça Funarte
Marcelo Brodsky - Palestra sobre o projeto Buena Memoria - Londres
Marcelo Brodsky talks about the project Buena Memoria in London at the Conference “Disappearance, Photography and Social Media” within the project New Poetics of Disappearance: Narrative, Violence and Memory; with professor Vikki Bell from Goldsmiths College and Cecilia Sosa (UEL) at the Institute of Modern languages Research.
Gustavo Speridião - Imagine Brazil
Imagine Brazil, presented at the Astrup Fearnley Museet in Oslo, Norway opens on 5 June at MAC Lyon, France. The show, a panorama of Brazilian art curated by Gunnar B. Kvaran, Hans Ulrich Obrist and Thierry Raspail, presents the work of 14 young Brazilian artists, all already starting an international career. The artists were asked to invite another artist who was, for each, a reference. Gustavo Speridião presents four paintings and a book, and the artist he invited was Carlos Zilio. This show will still have itinerancies in Brazil, Qtar and Canada.