ArPA 2024

26.06.2024 — 30.06.2024
Stand U05

Natural de Santa Luzia, Maranhão, em 1986, Gê Viana vive e trabalha em São Luís. A artista produz colagens e fotomontagens, analógicas e digitais, tendo como mote poético a expurgação das violências estético-simbólicas de imagens históricas, construídas nas tramas da colonização brasileira. Revelar essas imagens a partir da própria experiência particular, torna-se ponto de partida no caminhar ao entendimento de si mesma, enquanto fruto das raízes que constituem suas descendências indígenas e africanas fincadas no território do Maranhão.

Para a 3a edição da ArPa, a Superfície se junta em parceria com a Lima Galeria para apresentar um solo de Gê Viana, trazendo trabalhos de duas importantes séries da artista.

Couro Laminado “emerge do entendimento de que as festas e celebrações afro-diaspóricas estão intimamente relacionadas com a luta por direitos e a busca pela emancipação no Maranhão. A série parte da vivência em roda, do querer comum de um tempo que foi conquistado: o tempo livre. Couro Laminado é a revolta das multidões, a tecnologia da mata para que uns aos outros pudessem se ver, é pedido de proteção e alimento, é comunicar-se na boca da noite.”1

A festa também se faz presente nas colagens digitais da série Radiola de Promessa. Recortando a história de sofrimento e apagamento de uma população, Gê Viana devolve suas heranças e crenças. “A perspectiva de reza, benzimento vem dessas descendências em que a artista absorve essa prática ancestral, faz da reza uma arte da memória e ferramenta de cura, limpeza e rogo para tudo aquilo que foi desgastado, forjado, forçado, empobrecido, “clareado”. A partir desse modo de ver e ser, apropria-se de figurações históricas do imaginário colonial brasileiro, afasta o lugar de objeto e retoma o lugar de agente que revela mundos, nomeia indivíduos, gera possibilidades diversas de afeto, coletividades,defesas, alegrias, trocas, processos triviais imbuídos em cores, recortes e deslocamentos apresentados em seus trabalhos.” 2


1. Texto de Gê Viana
2. Trecho extraído do texto de Thayná Trindade, escrito em 2022, na ocasião da exposição “Retirar o sol das cabeças – uma reza das imagens”, individual de Gê Viana na Superfície. 

SP—Arte 2024

03.04.2024 — 07.04.2024
Stand C05

A Superfície participa da 20ª edição da feira SP-Arte, que abre na próxima semana no Pavilhão da Bienal. A galeria apresenta uma seleção de obras de seu repertório — Mira Schendel e Leyla Perrone—, bem como trabalhos de artistas emergentes: uma colagem da série Couro Laminado de Gê Viana e um mapa de Marina Camargo. Para compor o stand a Superfície traz ainda trabalhos do artista Hermelindo Fiaminghi, cujo estate passou a ser representado pela galeria. Destacam-se ainda obras de Tunga, Amélia Toledo, Iole de Freitas, Hércules Barsotti e Rubem Valentim. A criteriosa escolha das obras espelha o trabalho que a galeria vem exercendo no mercado nos últimos anos: desenvolvendo a carreira de artistas contemporâneos, ao mesmo tempo em que se debruça sobre artistas históricos, em especial os que atuaram em torno dos anos 1970.

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Local
Pavilhão da Bienal, Parque do Ibirapuera
Av. Pedro Álvares Cabral, S/n
Acesso pelo portão 3
Vila Mariana


Visitação
03 de abril | convidados
04 e 05 de abril | 13h às 20h
06 e 07 de abril | 11h às 19h


Bilheteria
Acesse a bilheteria virtual do evento e garanta seu ingresso.

 

SP—Arte Rotas Brasileiras 2023

30.08.2023 — 03.09.2023
Stand B05

Superfície participates in the 19th edition of the SP-Arte fair, which takes place at the Bienal Pavilion between March 29th and April 2nd. The gallery presents a selection of works from his repertoire — José Leonilson and Mira Schendel —, as well as works from three recent representations: the manual collages by Gê Viana; the Burocratic series, by Gerty Saruê and a sculpture by Marina Camargo. To make up Stand E05, Superfície also brings works by León Ferrari, Georgete Melhem and Montez Magno. The careful choice of works mirrors the work that the gallery has been carrying out in the market in recent years: developing the careers of contemporary and emerging artists, while at the same time focusing on historical artists, especially those who worked around the 1970s.

Take a look at the PREVIEW

 

SP—Arte 2023

29.03.2023 — 02.04.2023
Stand E05

Superfície participates in the 19th edition of the SP-Arte fair, which takes place at the Bienal Pavilion between March 29th and April 2nd. The gallery presents a selection of works from his repertoire — José Leonilson and Mira Schendel —, as well as works from three recent representations: the manual collages by Gê Viana; the Burocratic series, by Gerty Saruê and a sculpture by Marina Camargo. To make up Stand E05, Superfície also brings works by León Ferrari, Georgete Melhem and Montez Magno. The careful choice of works mirrors the work that the gallery has been carrying out in the market in recent years: developing the careers of contemporary and emerging artists, while at the same time focusing on historical artists, especially those who worked around the 1970s.

Take a look at the PREVIEW

 

ArPa 2022

01.06.2022 — 05.06.2022
Booth C05

Superfície participates in the 1st edition of ArPa – art fair, which takes place between June 1st and 5th at Complexo do Pacaembu, in São Paulo. The gallery brings a selection that converges to the Ventre da Terra exhibition presented in 2021. The exhibition had dirt as a central element, a link between the works. For the stand C05 project at ArPa, Superfície suggests a conversation between some artists who were part of the show, such as Ana Bella Geiger, Lotus Lobo, Vera Chaves Barcellos and Celeida Tostes — who will also participate in the 37th Panorama of Brazilian Art 2022 at MAM —, in addition to collages by Gê Viana, a recent representation of the gallery.

Take a look ath the PREVIEW 

 

SP-Arte 2022

06.04.2022 — 10.04.2022
Booth E5

Superfície announces its participation in the 17th edition of the SP-Arte fair, which this year takes place in a hybrid model, integrating the in-person to the virtual, and presents a careful selection of works by emerging artists in dialogue with historical artists from around the 70s. Among them are four new artists represented: Renata De Bonis, Vitor Cesar, Andréa Hygino and Romanita Disconzi. Following the gallery’s proposal, which rethinks contemporary art from a conceptual perspective, works by Vera Chaves Barcellos, Neide Sá, Mira Schendel, Leonilson, Lotus Lobo, Pedro Escosteguy, Arthur Chaves and Guga Szabzon make up our space at the fair, encompassing productions from the 60s to today.

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ArtSampa 2022

16.03.2022 — 20.03.2022
Booth A16

Superfície announces its participation in the 17th edition of the SP-Arte fair, which this year takes place in a hybrid model, integrating the in-person to the virtual, and presents a careful selection of works by emerging artists in dialogue with historical artists from around the 70s. Among them are four new artists represented: Renata De Bonis, Vitor Cesar, Andréa Hygino and Romanita Disconzi. Following the gallery’s proposal, which rethinks contemporary art from a conceptual perspective, works by Vera Chaves Barcellos, Neide Sá, Mira Schendel, Leonilson, Lotus Lobo, Pedro Escosteguy, Arthur Chaves and Guga Szabzon make up our space at the fair, encompassing productions from the 60s to today.

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SP-Arte 2021 — ARCA

20.10.2021 — 24.10.2021
Booth A5

Superfície announces its participation in the 17th edition of the SP-Arte fair, which this year takes place in a hybrid model, integrating the in-person to the virtual, and presents a careful selection of works by emerging artists in dialogue with historical artists from around the 70s. Among them are four new artists represented: Renata De Bonis, Vitor Cesar, Andréa Hygino and Romanita Disconzi. Following the gallery’s proposal, which rethinks contemporary art from a conceptual perspective, works by Vera Chaves Barcellos, Neide Sá, Mira Schendel, Leonilson, Lotus Lobo, Pedro Escosteguy, Arthur Chaves and Guga Szabzon make up our space at the fair, encompassing productions from the 60s to today.

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SP-Arte 2021 — Yasmin Guimarães: Idyllic Landscapes

20.10.2021 — 24.10.2021
Viewing Room

In addition to the participation in the 17th edition of the SP-Arte fair, Galeria Superfície presents a solo project by artist Yasmin Guimarães in the Viewing Room.

The canvases painted by Yasmin Guimarães bring back the calm that has been lacking in recent times. In a kind of escapism, the artist paints imaginary landscapes from dots, short, empty brushstrokes, caked with color and subtle chromatic stains. The canvas, almost always raw and apparent, dialogues in a simple and courageous way with the history of art. Yasmin’s process starts with the gestures of painting, the staggering of spaces and the nullification of perspective. Her works stick to the plane, exploring the possibilities of expanding the limits of thinking and painting. The artist’s pictorial inscriptions arise from the intensity and breadth of her gestures, on canvases of large or small format. While the smaller ones concentrate the intention of the artist’s gesture on the surface, the larger ones make the gestures potentiate through the scale. There is in Yasmin’s work a silent scream that is at the same time appeasing. The potency of her paintings resides in their simplicity and in their ability to allow the spectator to daydream.

Access the Viewing Room

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SP-Arte 2021 — June Edition

09.06.2021 — 13.06.2021
Viewing Room

Participating artists: Angelo de Aquino, Arthur Chaves, Celeida Tostes, Débora Bolsoni, Guga Szabzon, Leonilson, Lotus Lobo, Mira Schendel, Sonia Andrade, Vera Chaves Barcellos e Yasmin Guimarães

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ArtRio Online 2020

14.10.2020 — 25.10.2020
Viewing Room

Participating artists: Alan Adi, Anna Costa e Silva, Arthur Chaves, Débora Bolsoni, Guga Szabzon, José Leonilson, Lotus Lobo and Vera Chaves Barcellos

Latitude Art Fair 2020

24.09.2020 — 27.09.2020
Viewing Room

Works by artists Falves Silva, Guga Szabzon, José Leonilson, Lotus Lobo, Martinho Patrício and Mira Schendel are part of the selection presented by Galeria Superfície for the Latitude Art Fair, an action aimed at the internationalization of Brazilian contemporary art promoted by the Associação Brasileira de Arte Contemporânea (ABACT) and the Agência Brasileira de Promoção de Exportações e Investimentos (Apex-Brasil), in partnership with the Artsy platform.

SP-Arte 2020

24.08.2020 — 30.08.2020
Viewing Room

For SP–Arte’s 2020 Viewing Room, Galeria Superfície presents a solo project by artist Vera Chaves Barcellos, in a wide-ranging selection that includes works conceived between the period from 1974 to 1996. With more than 50 years of career and a foundation in Porto Alegre named after her, Vera Chaves Barcellos is part of the generation of pioneering artists of Brazilian conceptual art from the 70s, having participated in the historical exhibitions of the famous curator and historian Walter Zanini (1925–2013) at the Museum of Contemporary Art (MAC-USP), as well as the representation of Brazil at the 1976 Venice Biennale with the work “Testarte” — which is presently available. The curatorial selection allows the viewer to verify the diversity of experimental and poetic languages that the artist developed throughout her trajectory, using the new means of each era: such as video, photography, postal-art and artist’s book.

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not cancelled Brazil

17.06.2020 — 23.06.2020
Viewing Room

Participating artists: Guga Szabzon and Arthur Chaves

ARCOmadrid 2020

26.02.2020 — 01.03.2020
Booth 9OP19

Participating artists: Mira Schendel and Sonia Andrade

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ArtRio 2019

18.09.2019 — 22.09.2019
Showcase, Stand D14

Participating artists: Angelo de Aquino, Débora Bolsoni, Guga Szabzon, Lotus Lobo and Sonia Andrade

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SP-Arte 2019

03.04.2019 — 07.04.2019
Showcase, Booth MA4

Participating artists: Pedro Escosteguy and Rubens Gerchman

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Parte 2018

07.11.2018 — 11.11.2018
Solo Projects

At Feira Parte 2018, the Galeria Superfície participates with the artist Débora Bolsoni in the Solo Projects section, curated by Douglas de Freitas.

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ArtBo 2018

24.10.2018 — 28.10.2018
Showcase, Booth A62

Participating artists: Guga Szabzon, Mira Schendel and Rosana Paulino

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ArtRio 2018

26.09.2018 — 30.09.2018
Showcase, Booth D13

Participating artists: Betty Leirner, Marcelo Brodsky, Neide Sá, Pedro Escosteguy, Vera Chaves Barcellos and Wlademir Dias-Pino

SP-Arte 2018

11.04.2018 — 15.04.2018
Solo, Booth SL3

Participating artist: Martinho Patrício

With active production since the 80’s, Martinho Patrício can be considered heir of the Tropicalist movement. Based on the work of Neoconcrete artists, he participates in the 27th São Paulo International Biennial, curated by the critic Lisette Lagnado, with the interactive installation “Brincando com Lygia”. The same reference is shown in his series “Me Molde”, in which fabric sculptures can be manipulated and even dressed. For this solo project, we present works from various periods of the artist’s production, making it possible to read its trajectory and the connections in it.

ArtBo 2017

26.10.2017 — 29.10.2017
Solo, Booth B12

In the Proyectos section of Artbo 2017, Galeria Superfície shows the work of the Brazilian artist Rosana Paulino (São Paulo, 1967). Paulino, who is also an educator and researcher, has racial and gender issues as the focus of her intense artistic and academic research. Her poetics is materialized through an immense range of supports, from the engraving to the installation. Shedding light on the shadows that still linger in a country that has enslaved its black population for more than three centuries, Rosana brings evidences of all the remnants that make Brazil a nation whose more than half of its population declares itself to be black, but that only a little more than 17% of this group were among the richest in the year of 2015. In addition to racial issues, the artist highlights another relevant point: gender inequality, that is, the inheritance of the patriarchal and sexist relations that make Brazil the fifth nation in number of feminicides. And it is precisely from these tacks between social and racial relations today, yesterday and tomorrow, that Paulino stands out as one of the most important female voices in contemporary Brazilian artistic production, with works integrating important exhibitions and collections of cultural institutions in Brazil and around the globe.

ArtRio 2017

14.09.2017 — 17.09.2017
Showcase, Booth V7

Participating artists: Anna Costa e Silva, Guga Szabzon and Leonilson

Semana de Arte 2017

17.08.2017 — 20.08.2017
Solo, Booth 03

On the occasion of the Semana da Arte, Galeria Superfície is pleased to present a solo project by artist Betty Leirner, which comprises a body of works produced between the 80s and 90s. The selection is centered on a series of “Réservées (objets retrouvées)”, which hypothetically appropriate space, place and fractions in time. From the heart of the artist’s seminal research into transparent materials, and alongside the large-scale eightfold visual poem “CE QUI EST IST” from 1987, Betty Leirner’s choice reveals both the objective and the philosophical challenges of representing invisible matter of mind.

Betty Leirner (São Paulo, 1959) is graduated in Cinema at ECA/USP. The artist held her first solo exhibition, the minimalist “Squares of Light”, at MASP in 1978. Awarded a three-year postgraduate grant from the Konrad Adenauer Foundation, Germany, she moves to Europe for the second time in 1991 , where she develops the relations between writing, image and support and her researches related to dematerialization. She settled in Hamburg, Germany, until 2002 and then set up the studio “Landscape” in the city of Basel, Switzerland. She interconnects sound, visual and linguistic processes in her films, rediscovered objects and scattered texts, updating poetry as the core of the arts.

SP-Arte 2017

05.04.2017 — 09.04.2017
Solo, Booth SL07

Participating artist: Falves Silva

For the Solo project, Galeria Superfície presents a variety of works, geometric collages, drawings and books. The works date from 1967, the initial year of the Poema/Processo movement, to the series “Sinais”, from his recent production, from 2006–2007, in which the artist shows us “signs of a futuristic writing, in which the alphabet of writing linear gives way to new signs, to a new non-verbal and exclusively semiotic proposal.”

Falves Silva (Cacimba, Brazil, 1943) is one of the pioneering artists of the Poema/Processo movement, alongside names such as Moacyr Cirne, Wlademir Dias Pino, Álvaro de Sá and Neide Sá, and was one of the main names to make visual and experimental in Brazil. Falves Silva’s production is based on the convergence of two of the main axes of Brazilian art: concrete movement and conceptual art. The artist dialogues with literature, cinema and comic books; he manipulates communicative structures and images from art history and mass communication. In 1967, he participated in the inaugural exhibition-manifesto of the Poema/Processo movement, as well as in the XVI Bienal de São Paulo, which was curated by Walter Zanini. From the 1980s onwards, he joined the international postal art network, and maintained an intense and fruitful dialogue with artists of different generations and nationalities, such as Jota Medeiros, Ivald Granato, Paulo Bruscky, Hudinilson Jr, Horácio Zabala , between others. His works were exhibited at the International Mail Art Exhibition, Tokyo, Japan, in 1984, and at the 2nd Bienal de Arte Correio, Spain, in 1999. More recently, the artist had his solo exhibition “Círculo do Tempo”, a retrospective of his career, presented at the Centro Cultural São Paulo.

SP-Arte 2016

07.04.2016 — 10.04.2016
Showcase, Booth SC06

Participating artists: Fabio Baroli, Guga Szabzon, Gustavo Speridião, Martinho Patrício, Mira Schendel, Robert Rauschenberg, Rodrigo Garcia Dutra

SP-Arte 2015

08.04.2015 — 12.04.2015
Showcase, Booth SC11

Participating artists: Gustavo Speridião, Mira Schendel, Marcelo Brodsky